After conducting a mapping project of the Caballito neighborhood, a group of neighbors is left wondering about a manor that operated as a clandestine detention center during the last military dictatorship. Due to the lack of images, the film pieces together an alternative archive—that of the filmmaker’s family memories. Drawing on maps, personal archival footage and collective stories, she explores a reconstruction aware of its own limitations, but insists on the need to reveal what remains off frame.