In the thick, wet forests of the South, time stops to rewrite history through an intimate home birth. As the microcosm of the uterus reflects the macrocosm of a territory in crisis, skin and geography merge into one. A cartography to trace the scars left by violence against bodies and ecocide that finds the geometry of origin in the waters and the placenta.
Jesu Torres (Chile) is a photographer and a documentarian. She holds a degree in Film and Television Studies and her work falls within the creative documentary field. She has co-directed and edited the feature Soberanía, crónicas del mayo chilote (2017) and her work explores visual experimentation and arthouse cinema. In multidisciplinary projects, she investigates the subtle connections between the body, territory, and memory.
Florencia Azorín explores the intersection between the earth and the body by experimenting with film. She is a member of the Antes Muerto Cine collective. Her works include Julian Galay’s Los cruces (2025) and Azul Aizenberg’s Amor descartable (2024). Her films have been awarded at FidMarseille, Arché, E tudo verdade, and have been featured in international programs.